E flat major scale patternsĪ very useful way to study scales is to visualize them on instruments such as the guitar or piano. Thus, it is the tonic E flat which, being the first note of the scale, gives the scale its name. In this way, we can say that the notes that make up the E flat major scale are: That is, the E flat major scale is built starting from the note E flat and continuing by leaving one tone between each note, except between the third and the fourth and between the seventh and the first note. He also cites its facility on a piano keyboard.The E flat major scale is nothing more than a scale of musical notes that are structured in intervals of one tone between each degree, with the exception of degrees III – IV and VII – I, where the distance is half a tone, and whose main note (commonly called tonic) is E flat. Additionally, writing for strings, there are no open strings in this key, so that vibrato can be used on any note, making it a warm and expressive key. In many soprano voices there is a break round about E (a tenth above middle C) with the result that it is not their best note, bypassed in the key of G-flat major. In a charity interview he explained several of the reasons that drew him to this key. John Rutter has chosen G-flat major for a number of his compositions, including "Mary's Lullaby" and "What sweeter music". The Flohwalzer can be played in G-flat major, or F-sharp major, for its easy fingering. French composer Claude Debussy used this key for one of his most popular compositions, La fille aux cheveux de lin, the eighth prélude from his Préludes, Book I (1909–1910). Polish composer Frédéric Chopin wrote two études in the key of G-flat major: Étude Op. Austrian composer Franz Schubert chose this key for his third impromptu from his first collection of impromptus (1827). In particular, the black keys G ♭, A ♭, B ♭, D ♭, and E ♭ correspond to the 5 notes of the G-flat pentatonic scale. This key is more often found in piano music, as the use of all five black keys allows an easier conformity to the player's hands, despite the numerous flats. Mahler's Tenth Symphony was composed in the enharmonic key of F-sharp major. Examples include: the choral entry during the finale of his Second Symphony, during the first movement of his Third Symphony, the modulatory section of the Adagietto from his Fifth Symphony, and during the Rondo–Finale of his Seventh Symphony. Gustav Mahler was fond of using G-flat major in key passages of his symphonies. 7 in G-flat major, while its middle section is in the parallel key (F-sharp minor, enharmonic equivalent to the theoretical G-flat minor). Muzio Clementi chose F-sharp in his set for the prelude, but G-flat for the final "Grande Exercice" which modulates through all the keys.Īntonín Dvořák composed Humoresque No. When writing works in all 24 major and minor keys, Alkan, Rachmaninoff, Scriabin, Shchedrin and Winding used G-flat major over F-sharp major. As well as it is used in Ravel's famous " Gaspard de la nuit", in the movement, "Le Gibet".Ī striking use of G-flat major can be found in the love duet "Tu l'as dit" that concludes the fourth act of Giacomo Meyerbeer's opera Les Huguenots. It is the predominant key of Maurice Ravel's Introduction and Allegro for harp, flute, clarinet and string quartet. It is more often used as a main key for piano works, such as the impromptus of Chopin and Schubert. Like F-sharp major, G-flat major is rarely chosen as the main key for orchestral works.
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